The arctic siamese oedipal twins couple Cole & Tina love to write binaural poems with middle-sized lipsticks on Ikea catalogs. During their career as Manichean artists, they allowed few details of their early life or family background to be known to the public. they even refused to acknowledge that they ever had a name. their father was an ironic electrician named herbison gasdrax and after the birth of the twins, he welded them together with a Russian welding machine – the trotzki feather.
my gender is quantum (MUPoetry Press, 2017) is the latest book published by hazard in a November afternoon after ingesting some dried ink from an old notebook that belongs to their witch grandmother, a well-known tarot and decaf coffee reader.
As we take a brief look at cole & tina poetry one could find transgressive poems like this I am theverso/ of lobotomy/ paralytic culture/stuffed with vodka and Xanax/this beautiful corpse/of hesitation/purged by a random/cow/called/medusa. (threesome trisomicfuck metaphysics! post dadaist hobby) . Another poem oh no! I had to pee on a ghost last night after the escaping matrix. it speaks about how people survived depression and the suffering of missing depressive thoughts. as hungry as a suicide note / my laundry worships the stains/ It could have eaten me / as I walked through / the streets of motherboard/ Pac man for philosophers/ let me be as inclusive as a white black hole/ policore / pubic shores of Mexico/ a fleeting resentment/for the next life/ when they will accomplish nihilism .
a poem from the compendium dissimulate my reality – some nonlocal junk poetry – 23 nonpoems from the point of view of a black hole condensed in an orange – a collection of made up poets who live inside a shadow
Ugo Fogi is well-known for his book We are all in a post-hypnotic trance induced in early infancy a collection of psychiatric poems written in his youth when visited a schizophrenic institution for artists. LSD consumption and mystic book reading turned Ugo Fogi into a rusty non-human entity named sam-sarah. he was also an enthusiast of multiple worlds theory according to our world is one of innumerable possible worlds. I wrote a poem / in every possible world/so every possible/ reader / could feel/this deep sadness/that rules my life/like a leech. he died in a allegorical car accident in a august afternoon when he returned from supermarket where he looked for a floral bio hazard.
a poem from the compendium dissimulate my reality – some nonlocal junk poetry – 23 nonpoems from the point of view of a black hole condensed in an orange – a collection of made up poets who live inside a shadow
Kantigona Lurex is not a person nor an avatar but it could eat 3 tones of flax at breakfast. it has a bad reputation because of its long hairy hands – five – it uses to climb on advertising trees and howls long stupid poems about car crashes, how to repair a washing machine, burned moths, little muddy glass shards, future nails design, appendix art, environment eschaton and IKEA prospects. Kantigona Lurex describes 23 entities that emerged from a bottle of mescal that a cyclop from holbox island accidentally broke in the head of a tiburon ballena. one of entities named sicofanta koatli shares with an human form three noses fixed on a wood head of an underground snake. koatli writes poetry helped by a porn star plumber made from burgers and goat cheese. its last book – serenade for a dying napkin (2017 MUpress) is a grotesque manifesto against social media martyrs and their impact on poetry. the book also deals with proxenetism in the insects’ world, the industry of clothes made from snake dead skins or the semantics of crickets songs vs. climate changes. (‘do not wash/dry clean/ do not dry clean/do not wring/dry in shade/make up your mind / this is not a joke/ this is a joke/ do not iron/ you are just a scared scarecrow / and your mind is slowly devoured by commercials – how to charge your phone at the bottom of the sea).
covered in textile cloud
an electric lark made up from lycra
he is barking like
a cotton slice of cake (cf. kkant)
a funny chorus of violence and ambiguity
that craves for the dark melancholy
and never satisfied
I jumped in the dead leaves pond
to find my genuinemotherboard
my techoanima
while harvesting this reluctant afternoon
thrash gods chilling in the neon lights of a drugstore
a poem from the compendium dissimulate my reality – some nonlocal junk poetry – 23 nonpoems from the point of view of a black hole condensed in an orange – a collection of made up poets who live inside a shadow
thanathol lorenz is a neo-non-poet who dies every time after you read his short bio. he was raised in a lab near Sagittarius A with some onions and five black jaguars. he was not too much into mystical discipline but he could talk to the dead stars and comets. he wrote crappy lyrics on the walls of the motherboard about suicidal tendencies, cryptographic marxism, jealousy, bartenders, seashells and Photoshop metaphysics. the first book – neo-catharsis: cures for the itch was a stupid and abyssal manifesto of nonsensical poetry ‘clean the world magnetic dope! / elastic medium: grotesque/elastic punctuation / high diacritical mark/ fetus like / nigredo fleeting scars/ obscene is designed to avoid moral panic‘ ( baila baila braille brother) . for this compendium we choose a poem from his latest book concrete-ghost (2019 mupress) . the garbage magazine wrote about this book: ‘an outrageous and scandalous inquire of poetical cretinism. some poems are obvious deep shit literature: how to teach children to smoke in a toilet on Saturn or when I see a bug a feel the toothpaste void. there are also memorable verses like all we have/ are negative thoughts / a metallic snow / on your saints and barbies/ I shall vomit. (if you are invisible go more invisible). reading concrete ghost one would feel the retard-state of mind of an amoeba’.
we are not design to be happy. except the car sellers and sex dolls (eCHT Liber Vagi Discordia – cap. 3456 non-mind boggling issues)
– fmyu eium eium euim emiu emui eium um um
glyphosphate humeruseg
.pot pot erg ăek lmao lmau lmiu k; kollaps
.etherm etherm acojas lobsterilization
2. killmemanjaro posttraumanism
ngiyp gerkfa’d etc. plibios locked turma
..coffeen coffeefe crissypus is not dead
hemney giganicus lohn kollaps
damn gospodin da fuqqqqqqqqqq
REMOVE THE TOOTHPICK
from the rotten sandwich
as I lay on the procust’s bed in my therapist room
I ‘m watching the magenta clouds and a church shited roof
go straight to the object of your desire yields a child
a poem from the compendium dissimulate my reality – some nonlocal junk poetry – 23 nonpoems from the point of view of a black hole condensed in an orange – a collection of made up poets who live inside a shadow
deluz phosphena is a pink AI jellyfish human who loves wasting time on counting flies trapped in her purse. she was born in bucovina and she refuses to eat until she was 10. at this age she discovered the pleasure of spinning around a random word until she gets so dizzy until she forgets her name, address, gender or parents. it was her first step in the weird world of poetry. she self-published her first poetry book at 17 going ghost with my cerebral limax. ‘my timeline is a trauma/ like a silk goat/ I ate the lipstick/gift from a satyr/ I met last winter. idiots are fucking idiots/ context-free/ dark smiles is what I get/ being such a delicate / ghost.’ (how I became a cannibal fairy) . Intuitive and fueled with cvasi-dadaist visions, she studied gnostic scriptures and counter-culture writers and she considers herself a naughty post-structuralist Discordian hoax. her poetry is an ugly and terrible howl against any form of social constructs that obliterate our perception. You should not be glued to gender, to age, to race; those things should not define you. we are self-centered flying lasagnas and and we hope for an afterlife freed from suffering. and all we do is eating each other minds projecting the dissatisfaction the frustrations and empty-calories wisdom words of self-betterment and the mirage of happiness. this is the foreword of her last poetry book ephemeralization of eschaton: how to be happy and other miserable poems.
a poem from the compendium dissimulate my reality – some nonlocal junk poetry – 23 nonpoems from the point of view of a black hole condensed in an orange – a collection of made up poets who live inside a shadow
ubik is a non-non-delusional monk who holds meditation sessions in supermarkets. you can meet him through the zanzibar shops levitating at the eye level between the toilet paper racks or above the counter. ubik had not childhood because his parents had no money to raise him. so he sat in a library drawer until the age of 23 when he came out with his only lyrics book – danger of blindness – the poetry of masturbation between narcisus, dogen and miley cyrus . he was beaten to death by some obscure malware in bucharest downtown where night and day were not distinguished due to graffiti.
a poem from the compendium dissimulate my reality – some nonlocal junk poetry – 23 nonpoems from the point of view of a black hole condensed in an orange – a collection of made up poets who live inside a shadow]
ix tab ular asa is a Maya non-gender poet generated by a deep lazy learning machine from tulum, mexico. ix enjoys playing, toddling and dirtying nappies. ix writes poetry with a flamingo head from a bird that used to visit ix inside the womb. after the main code of ix generation returned a fatal error – named kairos-, it was abandoned in a recycle bin in a Mayan pyramid. an iguana homeless female – called ortensia found ix and thought it to write stupid poems. ix first poetry book – enjoying human waste was published on tobacco sheets so people could both smoke and laugh. ix was facing a deep depression learning that life and Sudoku have nothing in common but suffering. this state of mindless mindfulness encouraged ix to publish the second poetry book – lacanian nirvana and other triggers for enchanted bots. the poem selected for this compendium yields for kindness in a world consumed by slow decay.
[a poem from the compendium dissimulate my reality – some nonlocal junk poetry – 23 nonpoems from the point of view of a black hole condensed in an orange – a collection of made up poets who live inside a shadow]
emagdalena kabat
emagdalena kabat is a 130-year-old poet and former personal trainer who enjoys spiderwatching, snakes and ladders and duck herding. She is pious and anarchist, but can also be very joyous and a bit ironic.
She is babylonian who defines herself as gay. She has a post-graduate degree in sports science. She is allergic to turtle eggs. She is obsessed with donald trump and marx.
Physically, emagdalena is in pretty good shape. she is average-height with bronze skin, copper hair and blue eyes. she has one or two distinguishing features including a mole on the end of her nose, buck teeth and a tattoo of athanasius kircher on her left shoulder.
She grew up in a working class neighbourhood. After her father died when she was young, she was raised by her mother – a magenta flamingo.
She is currently single. her most recent romance was with a woman called blake myrtle howe, who was the same age as her. blake died in 2002.The papers reported the cause of death: ‘infection with surrealism’
emagdalena has four children with late girlfriend dasmine jevill: deadillon aged 88, lillith aged 89, Betty aged 92 and Christy aged 95.
she wrote 1245 poetry books, some best sellers : god for dummies reloaded, the puppet wife of alchemy, the caves with schizophrenia. the poem WARNING: Trains may be hiding trains! was published in her 994th book
unless you squint very hard indeed .
WARNING: Trains may be hiding trains!
the bombardment of pseudo-realities begins to produce inauthentic humans very quickly, spurious humans …
[a poem from the compendium dissimulate my reality – some nonlocal junk poetry – 23 nonpoems from the point of view of a black hole condensed in an orange – a collection of made up poets who live inside a shadow]
joshu mandelb is a NPC poet from titan satellite of saturn. he is made from 90 percents of nitrogen. he writes about the beautiful methane clouds of his hometown – nekyiavile. his first volume ‘panspermia hypothesis’ is a nonmaterial collection of lyrics and sounds that mandelb wrote while listening to the rotation of titan. I am the slow and smooth/ resonance/of this chaotic / approach/ – my ethereal hands/ the nomenclature of sandness. the flash is flooding/ the nondual equinoxes/I found a dead horse in my mouth and I named him hyperion. The poem count the seconds it takes to stop thinking about this poemis on the opening page of his 23rd volume ‘ammonia cantos’. (mu poetry press 2018).
I just found my mind
as a hair in this dark soup
I’m dining with few machine elves
I met offline
they live only in paradoxes
they replace the center to the periphery
a mitochondrial chain of wordless thinking
they are at the bottom of my poetry
this unbelievable fragility of my human shape
a mist of mixed feelings and fractals
my inner immoral shit is so smooth
I became invisible enough to speak to you
my cell phone, my clothes, my wallet
the weird dance of myness
on this sad october afterlife afternoon
then I met this prophet king kong
and he looked me in the depths of my digestive tract
[a poem from the compendium dissimulate my reality – some nonlocal junk poetry – 23 nonpoems from the point of view of a black hole condensed in an orange – a collection of made up poets who live inside a shadow]
Tenzo Fierăstrău is a zen monk from oltenia. He used to sit and meditate in uncommon places like a shopping mall, a far-left convention, a central square, a public toilet, a brothel. he started to write poems when he saw for the first time a dead man elected as a major in his native town. his first book ‘the garlic is a penis without depression’ was a collection of handwritten words on toilet paper and drugs prospects. the opening poem ‘yesterday I found my inner monkey and I raped her like a holy baboon’ is a fake prayer to a stupid god called mr. minga : I saw my self in a mirror and I can’t stop laughing/ there is my tail missing and it would be a perfect portrait of my mother’s god/ she fed the worms now with the mescaline of her smile/ a perfect drama for a monster like me/who live in an ashtray/ no goodnight kiss for the saints at the windows ’98/mr. minga, please burn this poem I feel guilty for your nekyia. the selected poem for this compendium – meta-advice for my future corpse – copy/paste poetry and shit was written near a morgue while drinking the last coffee with his dead mother.
the sprite bottle is blooming
my corpse is an attractive decoy
I used to eat while
I worshiped my wounds
those flexible photos of hidden
emotions
the sick perceptions of alteredness
in a cup of coffee
nothing but – awaiting the winter
the blink of the black snow
a little bit o karmic residuals
on my hands
every scrap of dirt disappears when persil’s special
[a poem from the compendium dissimulate my reality – some nonlocal junk poetry – 23 nonpoems from the point of view of a black hole condensed in an orange – a collection of made up poets who live inside a shadow]
Acmeduse Hermma is a genuine trickster goddess who reincarnates as a transgender poet and spiritual seeker of the void in the middle of daily boredom states of mind. Somehow, she is snickering to herself by throwing self-made words to the reader. Using the fake-mirror-of-alcohol technique she enters the batshit feral grabass territory of boredom where she finds the joyous demons of apathy and depression as well as the hideous angels of nothingness, absurd waiting, and prophecies. The first book laotsu in a green sports coatopens with these verses: mcf/ jki’u / efetelem lambada scoo / metempsychosis / gabri sequ vefim as a tenebrous message from the other part of the dark toilet where the poet blindly writes on a piece of used tp. it is sombunall part of the process like the feces, the rain, the butterflies or the cigarette. ‘I am bored with all this fake awareness that makes me desire to be in a chocolate coffin, waiting for some wiseass to reveal the secret of fun. ‘
sombunallism – a mu-theory of everything but not all